Grammys Fill (transcribed)
Aaron Spears
Break down the fill into parts. Work on the hand and foot combinations separately first, then put it together and gradually increase the tempo.
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Linear Swing Fill
Gavin Harrison
Practise triplets of R,L,F and L,R,F in time to a metronome. Then shift from hand to hand singles and back to the linear triplets.
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Sneaky Shuffle Variation
Kev O'Shea
Time the drop of the stick to allow the ghostnote to land between the shuffle pattern. There is no need for much force here, simply timing.
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Manky Beat
Kev O'Shea
A manky sounding linear pattern played open-handed between hihat, snare and floor tom.
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Foo Fighters ‘Rope’
Taylor Hawkins
Practise playing the bass drum with the crash cymbal on your weaker hand (See bar 3) @ 2mins 50.
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Insane 4-way Co-ordination
Thomas Lang
Try playing the left side ostinato without doubles as a 16th note pattern, to begin with...
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