Grammys Fill (transcribed)
Aaron Spears
Break down the fill into parts. Work on the hand and foot combinations separately first, then put it together and gradually increase the tempo.
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Linear Drum Fill 03
Kev O'Shea
Play this fill without the double strokes on the bass drum initially to get a sense of the rhythm.
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Unison Fill
Kev O'Shea
Practise moving from flams to unison and back again to improve accuracy. This example is mostly finger work.
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Alternating Linear Fill
Kev O'Shea
Play the linear pattern without accents. Next accent every third note, alternating between hand and foot. Switch hands.
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Manky Beat
Kev O'Shea
A manky sounding linear pattern played open-handed between hihat, snare and floor tom.
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Drum Solo Excerpt
Steve Gadd
Pay attention to Steve's masterful use of dynamics and timing...
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