Drum Lessons


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Grammys Fill (transcribed)


Aaron Spears

Break down the fill into parts. Work on the hand and foot combinations separately first, then put it together and gradually increase the tempo.
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32nd Note Fill


Chris Coleman

Work on the basic 6 note pattern between the hands and feet (RLRLFF).
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Doubling Up


Kev O'Shea

You may need to experiment with different bass pedal settings to find the right spring tension for you.
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Sneaky Shuffle Variation


Kev O'Shea

Time the drop of the stick to allow the ghostnote to land between the shuffle pattern. There is no need for much force here, simply timing.
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Unison Fill


Kev O'Shea

Practise moving from flams to unison and back again to improve accuracy. This example is mostly finger work.
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Foo Fighters ‘Rope’


Taylor Hawkins

Practise playing the bass drum with the crash cymbal on your weaker hand (See bar 3) @ 2mins 50.
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