Grammys Fill (transcribed)
Aaron Spears
Break down the fill into parts. Work on the hand and foot combinations separately first, then put it together and gradually increase the tempo.
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Street Beatz 02
Jojo Mayer
Work on good dynamics between snare ghostnotes and accents.
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Linear Drum Fill 01
Kev O'Shea
L,R,F triplet is the basis of this fill. Learn it and also, L,R,L,R,F.
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Kick Hat Snare 07
Kev O'Shea
You can change the pitch of the hihat bell by applying some pressure to the pedal. Find the sound you like best.
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Sneaky Shuffle Variation
Kev O'Shea
Time the drop of the stick to allow the ghostnote to land between the shuffle pattern. There is no need for much force here, simply timing.
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Foo Fighters ‘Rope’
Taylor Hawkins
Practise playing the bass drum with the crash cymbal on your weaker hand (See bar 3) @ 2mins 50.
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